“Dark Nuns”: Cast & Filming Locations
With its innovative take on the exorcism theme, stellar cast, and promising premise, “Dark Nuns”(검은 수녀들) is poised to become a standout film of 2025. As audiences around the world prepare to be thrilled and chilled, all eyes are on this South Korean production to deliver a memorable cinematic experience that pushes the boundaries of the supernatural thriller genre.
A Stellar Cast and Intriguing Premise of “Dark Nuns”

“Dark Nuns” boasts an impressive ensemble cast, led by the talented Song Hye-Kyo as Nun Yunia and Jeon Yeo-Bin as Nun Mikaela. The story revolves around a young boy named Hee-Joon (Moon Woo-Jin) who becomes possessed by a powerful evil spirit. As the situation spirals out of control, a group of dedicated individuals fight to save the child’s soul.
The film presents a unique twist on the traditional exorcism narrative by placing nuns at the forefront of the spiritual battle. This departure from convention adds an intriguing layer to the story, as nuns are typically forbidden from participating in exorcism rituals.
Song Hye-Kyo – Nun Yunia
Song Hye-Kyo, born on November 22, 1981, is a renowned South Korean actress with a career spanning over two decades. She rose to fame with her roles in popular dramas such as “Autumn in My Heart” (2000) and “Full House” (2004). Her recent critically acclaimed performance in the Netflix series “The Glory” (2022-2023) earned her the prestigious Best Actress award at the 59th Baeksang Arts Awards. Known for her versatility, Song has consistently delivered powerful performances in both television and film, cementing her status as a top Hallyu star.
Jeon Yeo-Bin – Nun Mikaela
Jeon Yeo-Bin, born on July 26, 1989, is a rising star in the South Korean entertainment industry. She gained significant recognition for her breakthrough role in the 2018 film “After My Death,” which earned her multiple awards, including the Actress of the Year Award at the 22nd Busan International Film Festival. Jeon’s popularity soared with her role in the hit drama “Vincenzo” (2021), where she played a tenacious lawyer opposite Song Joong-ki. Her versatility and compelling performances have quickly established her as one of the most promising actresses in Korean cinema.
Lee Jin-Uk – Priest Paul
Lee Jin-wook, born on September 16, 1981, is a versatile South Korean actor known for his roles in both television and film. He gained widespread recognition for his performances in dramas such as “Nine” (2013) and “Voice” (2018-2019). Lee has also made a mark in the film industry with roles in “Miss Granny” (2014) and “The Beauty Inside” (2015). His recent appearances in the Netflix series “Sweet Home” (2020-2024) and “Squid Game” (2024) have further solidified his position as a prominent actor in the Korean entertainment industry.
Heo Jun-Ho – Priest Andrew
Heo Jun-Ho, born on April 14, 1964, is a veteran South Korean actor with a career spanning theater, film, and television. He began his career in theater before transitioning to screen acting. Heo gained significant recognition for his role in the 2003 box office hit “Silmido,” which earned him the Best Supporting Actor award at the Grand Bell Awards. He has consistently delivered strong performances in various projects, including the historical drama “Jumong” and the gambling-themed series “All In”. Heo’s versatility and depth as an actor have made him a respected figure in the Korean entertainment industry.
Moon Woo-Jin – Hee-Joon
Moon Woo-Jin, born on February 19, 2009, is a young South Korean actor who has already made a significant impact in the industry despite his age. He gained attention for his role in the 2020 film “Train to Busan Presents: Peninsula” and the 2019 TV series “Vagabond”. Moon has showcased his versatility by playing younger versions of many famous actors in various productions. Notable among his recent works is his portrayal of the young Cha Min-hoo in the 2022 TV show “Kiss Sixth Sense”. Despite his youth, Moon has already amassed over 15 different acting roles, demonstrating his growing prominence in the Korean entertainment scene.
A Battle of Faith and Science
“Dark Nuns” not only explores the supernatural but also delves into the conflict between faith and science. While Nun Yunia and Nun Mikaela take unconventional measures to save Hee-Joon, they face opposition from Priest Paul (Lee Jin-Uk), a psychiatrist who believes in medical intervention. Meanwhile, Priest Andrew (Heo Jun-Ho) takes a more traditional approach by performing exorcisms.
This clash of ideologies promises to add depth and complexity to the narrative, challenging viewers to question their own beliefs about the nature of evil and the power of faith.
Behind the Scenes
Principal photography for “Dark Nuns” began on February 22, 2024, and lasted for three months, wrapping up on May 25, 2024. The film’s production team has worked diligently to create a visually stunning and atmospheric experience that will immerse audiences in its dark and haunting world.
Global Release and Expectations
“Dark Nuns” is generating significant buzz both in South Korea and internationally. The film is scheduled for release in 160 countries, with premieres planned across Asia, Australia, and New Zealand throughout January and February 2025. This wide distribution speaks to the growing global appetite for Korean cinema and the universal appeal of supernatural thrillers.
As the release date approaches, “Dark Nuns” has already secured the highest pre-booking rate in Korea, indicating strong audience interest. The film’s unique premise, combined with its star-studded cast and skilled direction, positions it as a potential breakout hit in the horror-thriller genre.
Filming Locations
Suwon District Prosecutors’ Office:
A Modern Legal Hub
The Suwon District Prosecutors’ Office, completed in 2019, stands as a testament to modern architectural design and functionality. Located in the heart of Gwanggyo New Town, this impressive structure boasts 2 underground floors and 10 above-ground levels, spanning a gross area of 68,275 square meters.
Architectural Marvel
The building’s design draws inspiration from two powerful concepts:
- The “uprightness” of Korea’s prosecution system
- Suwon’s historic Hwaseong Fortress
These influences are evident in the structure’s imposing yet elegant facade, which seamlessly blends contemporary aesthetics with traditional Korean architectural elements.
Prime Location
Nestled against the backdrop of Gwanggyo Mountain and facing the serene waters of Shindae Reservoir, the Suwon District Prosecutors’ Office enjoys a picturesque setting. This stunning location not only provides a visually striking backdrop for “Dark Nuns” but also serves as a metaphor for the film’s themes of justice and spiritual conflict.
Part of a Larger Legal Complex
The Suwon District Prosecutors’ Office, together with the Suwon District Court, forms the Suwon-Gwanggyo Legal Town. This legal hub has become a center for improved legal services in the southern Gyeonggi-do region, making it an ideal setting for the film’s intense courtroom scenes and behind-the-scenes legal drama.
Cinematic Appeal
The building’s modern interiors, spacious corridors, and state-of-the-art facilities provided the perfect canvas for “Dark Nuns” director Kwon Hyeok-Jae to create an atmosphere of tension and suspense. The contrast between the office’s sleek, professional environment and the supernatural elements of the story adds an extra layer of intrigue to the film.
Visitor Information
While the Suwon District Prosecutors’ Office is a functioning legal institution, film enthusiasts can admire its exterior and surrounding grounds. Visitors are advised to be respectful of the building’s primary purpose and any ongoing legal proceedings.
Conclusion
The Suwon District Prosecutors’ Office stands not only as a symbol of justice but now also as a cinematic landmark thanks to its role in “Dark Nuns”. Its striking architecture and prime location make it a must-see for fans of the film and architecture enthusiasts alike. As “Dark Nuns” continues to thrill audiences, this location serves as a testament to the power of choosing the right setting to enhance a film’s narrative and visual impact.
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